New Delhi, April 15
From the effects of technology on contemporary Kathak training and performance to shifts in the traditional mentor-disciple relationship, Kathak pioneer Kumudini Lakhia examined a number of emerging challenges faced by the classical dance form at a lecture here.
“Modern day Kathak seems to be more about skill than art. Today, Kathak is more competitive than ever before and there is also the increasing tendency of bringing the classroom to the stage by its practitioners,” said Lakhia, a Padma Bhushan awardee, who established and continues to run the Kadamb Dance Centre in Ahmedabad — widely regarded as an outstanding training institution of classical dance choreography.
Over the course of an engaging and candid discussion, titled ‘Kathak in Our Times’, in the presence of her illustrious students, critics and fans at the India Habitat Centre, the Kathak doyenne observed how the teaching of Kathak needs an overhaul in institutions, universities and classrooms.
“Scant attention is paid to costumes and practitioners lack basic aesthetics. Absence of abhinaya (the art of expression) is another major area of concern,” she said.
“The biggest difficulty for Kathak dancers today lies in teaching. Rather than focusing on the body language of students, teachers start adhering to curriculum right at the onset. The guru-shishya parampara (the mentor-disciple relationship) has changed. The student-teacher ratio too has moved from 1:1 to 30:1,” she said, adding that along with the existing Jaipur, Lucknow and Benares Gharanas, there now seems to be a fast-emerging “YouTube Gharana” in the world of contemporary Kathak.
The two-hour address was the latest in the annual Kelucharan Mohapatra Memorial lecture series, which aims to air concerns relating to Indian dance. It is conducted as tribute to Padma Vibhushan Guru Kelucharan Mohapatra, one of the most important and influential exponents of Odissi who is credited with reviving the classical dance form in the 20th century.
The well-received lecture series is organised by the Raza Foundation — set up by the late master modern artist Sayed Haider Raza in 2001 and helmed by eminent Hindi poet Ashok Vajpeyi, the Managing Trustee.
(This story has not been edited by BDC staff and is auto-generated from a syndicated feed from IANS.)